Between late 1970s and the mid 1980s, Gunderloy published several other zines in addition to F5 — and given the haphazard nature of how these zines were tucked into Box 9 of the archive, there were probably a lot more than just eight nine ten (I keep finding more and more in my files), and several of them appear to be one-offs, though it’s admittedly difficult to be sure. They include (and in no particular order): Accumulations (perzine) Egocentricity (apazine) Nugatory Nuisance (apazine) The Dismal Lich (gaming zine) Amanuensis (quillzine?) Beaucéant! (apazine) Incalculable Tedium in the Frozen Land (perzine?) Gunzine

Gunderloy would write and publish about his motives throughout his reign at F5 both within its pages and when he opined for others, such as he did in a 1987 issue of Toronto’s The Blotter, where he distilled his desire into two primary reasons: inertia and fascination. Of the former, Gunderloy described it as the “enormity of the task” — but not so much an inertia to circulate ideas as much as a fear of disappointing his fellow small press publishers if he quit, the enormity of having to explain it to them. He shared this slightly tongue-cheek, lamenting writing

One “organization” that was mentioned in early issues of F5 was The Church of SubGenius. Perhaps the best introduction to this bizarre pseudo-religion is via the recent documentary,  J.R. ‘Bob’ Dobbs and the Church of the SubGenius (2019). In his “review” of the Church in Issue 1, Gunderloy wrote that the Church would: “…reveal your true nature, and that of the world about you, for another of your hard-earned dollars. Anyone who gives serious thought to the questions of religion will either be offended or amused by this cheesy fly-by-night scam, but at least they are a scam of good

The earliest issues of F5 showcased the range of fringe cultures being stitched together through its pages: Flat Earthers and other conspiracy theorists, parody religions, psychics, anarchists, libertarians, sci-fi fans, punk rockers, even newsletters that reviewed laundromats. Twenty-ish issues later — as F5 circulation jumped from 150 copies to 2,000 — the message was the same; in a 1987 an interview with the punk fanzine, Flipside , Gunderloy said: “I’ll send F5 to whoever will send me $2! One purpose it serves is to get people interested in things… there are natural links between the punks and the anarchists and

The title “Factsheet Five” was inspired from a story by British sci-fi writer John Brunner. Yet, in true zine fashion, Gunderloy didn’t announce this from the get-go. Rather, in a section in Issue #1, he implored his readers to guess the reference through a contest: “First person to identify the source of the title will win something. I have no idea what and do not guarantee it will be worthwhile or fun.” By Issue #2 — started just 25 days later — guesses and other correspondence from readers were pouring in. As the project grew in length (from a double-sided